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And when Blackmagic Design recently slashed the price on the URSA Mini Pro 12K to $5995, my curiosity got the better of me and I reached out for a review unit so that I could put it through its paces. It’s an inch smaller than on previous URSA Mini models. When comparing the URSA Mini Pro 4.6K to the URSA Mini 4K side by side, the new manual controls and buttons now take up the space left by the smaller monitor. An alternative to using the touch menu is using the menu knob on the front side of the camera. The integrated ND filters on the URSA Mini Pro are great.
Monitor Features
The Ursa Pro has XLR connectors which record to memory cards or via HDMI or SDI connections. Hope someone can test the Audio recording quality of the 7" models! this might be a game changer as Atomos doesn't have stellar audio recording. The camera is chepa but storage will be expensive as well as postprocessing hardware. Black magic has been offering better and cheaper solutions to film makers for a long time, this offering is also usable as a stills camera. I'm pretty sure Blackmagic does not care about the R5 at all.
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The new Blackmagic URSA Mini Recorder lets you record 12‑bit Blackmagic RAW files onto fast 2.5 inch SSDs, including the latest U.2 NVMe Enterprise SSDs. SSDs such as the latest 7mm U.2 NVMe disks are super fast, delivering data transfer speeds of up to 900 MB/s! This blazing fast performance allows you longer recording times for full resolution 4K, 8K and 12K 12‑bit Blackmagic RAW files in the highest quality Q0 encoding. The unique design of the Blackmagic URSA Mini Recorder means it attaches directly to the back of your URSA Mini Pro 12K between the camera and the battery.
Blackmagic URSA Mini Pro 4.6K G2
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The Ursa has plenty of physical buttons and toggle switches for accessing commonly-used functions like ISO, shutter angle/speed, and white balance. The iris dial is difficult to reach when the monitor is open, a design flaw that Blackmagic might have overlooked because cinematographers using actual cinema lenses will use the iris ring on the lens. Despite my techno-lust, the Ursa remains out of my league — and yet, not outlandishly beyond my budget. At a fiver under $6,000, I won’t be buying one anytime soon, but it’s a heck of a lot more affordable than similar cinema cameras from other manufacturers.
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As well, the Video Assist 3G utilizes Sony L-Series batteries and features two battery slots so that one can be swapped out with a charged battery while recording. The obvious benefit to the Video Assist 3G is that it offers a larger display than the often small screens built into cameras, giving users considerably more control over their work. Joining the new digital film camera is the Blackmagic Video Assist 3G, an off-camera monitor offered in 5in and 7in sizes. The URSA Mini Pro 4.6K and the C200 both have a Super 35 image sensor, shoot on to both SD and CFast 2.0 cards and offer a type of RAW shooting along with another codec. But wait, there’s more — they also both offer ND filters, and they both have external controls for on-the-go shooting.
Incredible film quality features makes URSA Mini Pro perfect for film, episodic television, commercials and even IMAX!
That is nothing compared to the original URSA at a whopping 16lbs, but it’s heavier than most. It’s not too awkward when adorned with the optional shoulder kit and EVF, but it gets the job done. But there is no image stabilisation, continuous AF or any codecs other than Raw which hinder it for more general use.
Storage Features
Mood.camera is a new iOS camera app that aims to emulate film photography by offering 14 'film stock' filters, but which, like film, only shows you the results after you take a photo. 40MP sensor shows lots of detail, with its lens delivering good levels of sharpness at our standard F5.6 test aperture. Above $2500 cameras tend to become increasingly specialized, making it difficult to select a 'best' option. We case our eye over the options costing more than $2500 but less than $4000, to find the best all-rounder. The higher resolution offers detail capture and contrast that scale down to smaller displays.
Amaran is a brand built by creators, for creators, and a commitment to this philosophy is evident throughout its catalog. Blackmagic Design dominated NAB 2024 with its overflowing booth and incredible new camera lineup. Attendees were blown away by both the affordable PYXIS 6K cinema box camera and the future-proof URSA Cine 12K–perfect for creating cinematic masterpieces. A kit with the new electronic viewfinder (one of a number of accessories that are being made for this camera) will cost $16,500.
You can also cleanup stabilization from handheld shoots. There are even lenses on the smaller m43 sensor that do fine in pixel shift mode. What an amazing engineering accomplishment to release such a high resolution camera with such a small sensor yet none off the pit falls we currently see in consumer products. Either they offer cameras and accessories at actual profitable prices, or the rest of manufacturers are overpricing their products. 12k is achievable If watched on imax film with the 70x48mm frame.
It’s really made for use on a tripod, with manual-focus prime lenses. And with such high resolution, it really does demand the use of quality cine lenses rather than zooms or primes made for stills photography. Of course, there are reasons to shoot in 12K, such as the enormous amount of scope for cropping if you are making a film in 4K or HD. It’s also good for extending the life of your footage for when 8K and above becomes the norm.
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For one, I am both a photographer and a cinematographer. This need is why the prospect of 12K was of interest to me. While it’s possible to pull frames from 4K, or even 1080, the more megapixels the better for most of my still photography. So having 12K video to pull from could be a tangible advantage. Upon testing, we found the Blackmagic Design URSA Mini Pro 4.6K to be a great camera.
In practice, I didn’t notice it at all, except in very quick pans where I was purposefully looking for it. I’m not sure what makes a Red or Arri, the cameras of choice in Hollywood, worth tens of thousands more. But as someone who shoots video on a hybrid mirrorless camera, I can see the value in moving up to the Ursa.
I probably won't be looking at this camera for another 5 years or more. Still, its made 12K and even 8K usable for those few who really need it. Its funny how in a World where people are consuming more video content on smaller smartphone and tablet screens, camera manufacturers are pushing higher resolution.
Sony has announced the FE 16-25mm F2.8 G, a compact, fast wide-angle lens designed to complement its recent 24-50mm F2.8. Who wouldn't want to use the IS mechanism they've paid for to squeeze a bit more resolution our of their camera? People like Richard Butler, who question the effort/reward balance they offer. Tamron has announced it's developing a version of its 11-20mm F2.8 Di III-A RXD fast wide-angle zoom for Canon RF mount APS-C cameras.
